Dance Studies Bibliography

Aalten, Anna. “In the Presence of the Body: Theorizing Training, Injuries and Pain in Ballet.” Dance Research Journal37, no. 2 (2005): 55–72. https://doi.org/10.1017/S0149767700008561.

Abra, Jock. “The Dancer as Masochist.” Dance Research Journal19, no. 2 (1988): 33–39. https://doi.org/10.2307/1478169.

Acocella, Joan, and Lynn Garafola. “André Levinson on Dance: Writings from Paris in the Twenties.” Middletown, CT: Wesleyan UP, 1991.

Adair, Christy. “Diving into the Fire: Considerations of Gender and Ethnicity in Relation to Phoenix Dance Company.” Discourses in Dance4, no. 2 (2008): 49.

Adler, F H. “South African Jews and Apartheid.” Patterns of Prejudice34, no. 4 (2000): 23–36. https://doi.org/10.1080/003132200128810973.

Adra, Najwa. “Dance and Glance: Visualizing Tribal Identity in Highland Yemen.” Visual Anthropology11, no. 1–2 (1998): 55–102.

Adra, Najwa. “Middle East.” International Encyclopedia of Dance4 (1998): 402–13.

Adshead-Lansdale, Janet. Dancing Texts: Intertextuality in Interpretation. Dance books London, 1999.

Adshead-Lansdale, Janet. The Study of Dance. Dance Books, 1981.

Adshead-Lansdale, Janet. “Dance Analysis in Performance.” Dance Research12, no. 2 (1994): 15–20.

Adshead-Lansdale, Janet. “The Struggle with the Angel: A Poetics of Lloyd Newson’s Strange Fish.” Hampshire: Dance Books Ltd, 2007.

Adshead-Lansdale, Janet, and June Layson. Dance History: An Introduction. Routledge, 2006.

Adshead-Lansdale, Janet, and June Layson. Dance History: A Methodology for Study. Princeton Book Company Pub, 1983.

Adshead-Lansdale, Janet, June Layson, Janet Lansdale, and June Layson. Dance History: A Methodology for Study. London; Princeton, NJ: Dance Books; Distributed by Princeton Book Co., 1983.

Adshead, Janet. “An Introduction to Dance Analysis: Its Nature and Place in the Study of Dance.” Dance Analysis: Theory and Practice, 1988, 4–20.

Adshead, Janet, Valerie A Briginshaw, Pauline Hodgens, and Michael Robert Huxley. “A Chart of Skills and Concepts for Dance.” Journal of Aesthetic Education16, no. 3 (1982): 49–61.

Agawu, Kofi. Representing African Music: Postcolonial Notes, Queries, Positions. Routledge, 2014.

Agee, Jane. “Developing Qualitative Research Questions: A Reflective Process.” International Journal of Qualitative Studies in Education22, no. 4 (2009): 431–47.

Agrippina, I, and Akovlevna Vaganova. Basic Principles of Classical Ballet: Russian Ballet Technique. Courier Corporation, 1969.

Ahearn, Elizabeth Lowe. “The Pilates Method and Ballet Technique: Applications in the Dance Studio.” Journal of Dance Education6, no. 3 (2006): 92–99.

Ahmed, Sara. Strange Encounters: Embodied Others in Post-Coloniality. Routledge, 2013.

Ahmed, Sara. “Affective Economies.” Social Text22, no. 2 (2004): 117–39.

Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Duke University Press, 2006.

Ahmed, Sara. On Being Included: Racism and Diversity in Institutional Life. Duke University Press, 2012.

Ahmed, Sara. “Home and Away: Narratives of Migration and Estrangement.” International Journal of Cultural Studies2, no. 3 (1999): 329–47.

Ahmed, Sara. The Cultural Politics of Emotion. Routledge, 2013.

Ahmed, Sara. “A Phenomenology of Whiteness.” Feminist Theory8, no. 2 (2007): 149–68.

Ahmed, Sara. “Collective Feelings: Or, the Impressions Left by Others.” Theory, Culture & Society21, no. 2 (2004): 25–42.

Ahmed, Sara, and Jackie Stacey. Thinking through the Skin. Routledge, 2003.

Ajayi, Omofolabo Soyinka. “Aesthetics of Yoruba Recreational Dances as Exemplified in the Oge Dance.” Dance Research Journal21, no. 2 (1989): 1–8. https://doi.org/10.2307/1478625.

Akihiko, Senda. “Fragments of Glass: A Conversation between Hijikata Tatsumi and Suzuki Tadashi.” TDR/The Drama Review44, no. 1 (2000): 62–70.

Faruqi, Lois Ibsen al. “Dance as an Expression of Islamic Culture.” Dance Research Journal10, no. 2 (1978): 6–13. https://doi.org/10.2307/1477998.

Albright, Ann Cooper. “Auto-Body Stories: Blondell Cummings and Autobiography in Dance.” Meaning in Motion: New Cultural Studies of Dance, 1997, 179–206.

Albright, Ann Cooper. “Writing the Moving Body: Nancy Stark Smith and the Hieroglyphs.” Frontiers: A Journal of Women Studies, 1989, 36–51.

Albright, Ann Cooper. “Embodying History: Epic Narrative and Cultural Identity in African American Dance.” Choreographing Difference: The Body and Identity in Contemporary Dance, 1997, 150–77.

Albright, Ann Cooper. “Incalculable Choreographies: The Dance Practice of Marie Chouinard.” Bodies of the Text: Dance as Theory, Literature as Dance, 1995, 157–81.

Albright, Ann Cooper. “Moving across Difference: Dance and Disability.” Choregraphing Difference: The Body and Identity in Contemporary Dance, 1997, 56–92.

Albright, Ann Cooper. “Mining the Dance Field.” Choreographing Difference: The Body and Identity in Contemporary Dance, 1991, 1–27.

Albright, Ann Cooper. “Matters of Tact: Writing History from the Inside Out.” Dance Research Journal36, no. 1 (2004): 11–26. https://doi.org/10.1017/S0149767700007543.

Albright, Ann Cooper. “Open Bodies:(X) Changes of Identity in Capoeira and Contact Improvisation.” In Transmigratory Moves: Dance in Global Circulation, Proceedings of the Congress on Research in Dance Conference, New York University, 26th-28th October, New York: CORD, 1–7, 2001.

Albright, Ann Cooper. Engaging Bodies: The Politics and Poetics of Corporeality. Wesleyan University Press, 2013.

Albright, Ann Cooper. “Mining the Dancefield: Feminist Theory and Contemporary Dance.,” 1992.

Albright, Ann Cooper. “Situated Dancing: Notes from Three Decades in Contact with Phenomenology.” Dance Research Journal43, no. 2 (2011): 5–18. https://doi.org/10.1017/S0149767711000027.

Albright, Ann Cooper. Traces of Light: Absence and Presence in the Work of Loïe Fuller. Wesleyan University Press, 2007.

Albright, Ann Cooper. “Strategic Abilities: Negotiating the Disabled Body in Dance.” Michigan Quarterly Review37, no. 3 (1998): 475–501.

Albright, Ann Cooper. “The Public Is Invited to Dance: Presentation for Seema Haria’s Arangetram Cleveland, Ohio, September 31, 1993.” Dance Research Journal36, no. 2 (2004): 144–47. https://doi.org/10.2307/20444599.

Albright, Ann Cooper. Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing. Wesleyan University Press, 2010.

Albright, Ann Cooper. “Mining the Dancefield: Spectacle, Moving Subjects and Feminist Theory.” Contact Quarterly15, no. 2 (1990): 32–41.

Albright, Ann Cooper. “Channelling the ‘Other’: An Embodied Approach to Teaching across Cultures.” Research in Dance Education4, no. 2 (2003): 177–82.

Albright, Ann Cooper. “Dwelling in Possibility.” Taken by Surprise: A Dance Improvisation Reader, 2003, 257–66.

Albright, Ann Cooper. “Feminist Theory and Contemporary Dance.” Dancing Female: Lives and Issues of Women in Contemporary Dance.Amsterdam: Harwood Academic Publishers, 1997, 139–52.

Albright, Ann Cooper. “Matters of Tact: Writing History from the inside Out.” Dance Research Journal35, no. 2–1 (2003): 10–26.

Albright, Ann Cooper. Choreographing Difference: The Body and Identity in Contemporary Dance. Wesleyan University Press, 2010.

Albright, Ann Cooper. “Techno Bodies: Muscling with Gender in Contemporary Dance.” Choreographing Difference: The Body and Identity in Contemporary Dance, 1997, 28–55.

Albright, Ann Cooper. “Training Bodies to Matter.” Journal of Dance & Somatic Practices1, no. 2 (2009): 143–53.

Albright, Ann Cooper. “Dancing across Difference: Experience and Identity in the Classroom.” Women & Performance: A Journal of Feminist Theory6, no. 1 (1993): 41–54.

Albright, Ann Cooper. “Tracing the Past: Writing History through the Body.” In The Routledge Dance Studies Reader, 119–28. Routledge, 2010.

Albright, Ann Cooper. “Falling.” Performance Research18, no. 4 (2013): 36–41.

Albright, Ann Cooper. “The Tanagra Effect: Wrapping the Modern Body in the Folds of Ancient Greece.” The Ancient Dancer in the Modern World: Responses to Greek and Roman Dance.Oxford, 2010, 57–76.

Albright, Ann Cooper, and David Gere. Taken by Surprise: A Dance Improvisation Reader. Middletown, Conn.: Wesleyan University Press, 2003. http://www.loc.gov/catdir/toc/ecip045/2003012767.html.

Aldor, Gaby. “The Borders of Contemporary Israeli Dance: ‘Invisible Unless in Final Pain.’” Dance Research Journal35, no. 1 (2003): 81–97. https://doi.org/10.1017/S0149767700008780.

Alker, Gwendolyn. “Introduction.” Dance Research Journal42, no. 1 (2010): 76–77. https://doi.org/10.1017/S014976770000084X.

Allen, Barry. Striking Beauty: A Philosophical Look at the Asian Martial Arts. Columbia University Press, 2015.

Allen, Barry. Vanishing Into Things. Harvard University Press, 2015.

Alm, Irene. “Stravinsky, Balanchine, and Agon: An Analysis Based on the Collaborative Process.” The Journal of Musicology7, no. 2 (1989): 254–69.

Aloff, Mindy. “Pages From One Life: Reflections on the Body of Work of Selma Jeanne Cohen.” Dance Research Journal32, no. 1 (2000): 24–33. https://doi.org/10.2307/1478272.

Aloff, Mindy. Dance Anecdotes: Stories from the Worlds of Ballet, Broadway, the Ballroom, and Modern Dance. Oxford University Press, USA, 2006.

Alridge, Derrick P, and James B Stewart. “Introduction: Hip Hop in History: Past, Present, and Future.” The Journal of African American History90, no. 3 (2005): 190–95.

Alter, Judith B. “Self-Appraisal and Pedagogical Practice: Performance-Based Assessment Approaches.” Dance Research Journal34, no. 2 (2002): 79–95. https://doi.org/10.2307/1478461.

Alter, Judith B. “Havelock Ellis’s Essay ‘The Art of Dancing’: A Reconsideration.” Dance Research Journal24, no. 1 (1992): 27–36. https://doi.org/10.2307/1477871.

Alter, Judith B. “Why Dance Students Pursue Dance: Studies of Dance Students from 1953 to 1993.” Dance Research Journal29, no. 2 (1997): 70–89. https://doi.org/10.2307/1478735.

Alterowitz, Gretchen. “Toward a Feminist Ballet Pedagogy: Teaching Strategies for Ballet Technique Classes in the Twenty-First Century.” Journal of Dance Education14, no. 1 (2014): 8–17.

Ameri, Azardokht. “Iranian Urban Popular Social Dance and So-Called Classical Dance: A Comparative Investigation in the District of Tehran.” Dance Research Journal38, no. 1–2 (2006): 163–79. https://doi.org/10.1017/S0149767700007439.

AMIN, TAKIYAH N U R. “Girl Power, Real Politics: Dis/Respectability, Post-Raciality, and the Politics of Inclusion.” The Oxford Handbook of Dance and the Popular Screen, 2014, 255.

Amin, Takiyah Nur. “No Title.” Demystifying Hip Hop Dance?, 2010.

Amin, Takiyah Nur. “A Terminology of Difference: Making the Case for Black Dance in the 21st Century and Beyond.” Journal of Pan African Studies4, no. 6 (2011): 7–16.

Amin, Takiyah Nur. “Beyond Hierarchy: Reimagining African Diaspora Dance in Higher Education Curricula.” The Black Scholar46, no. 1 (2016): 15–26.

Amin, Takiyah Nur. “African American Dance Revisited: Undoing Master Narratives in the Studying and Teaching of Dance History.” In Rethinking Dance History, 44–55. Routledge, 2017.

Amin, Takiyah Nur. “The African Origins of an American Art Form.” Jazz Dance, 2014.

Amkpa, Awam. “A State of Perpetual Becoming: African Bodies as Texts, Methods, and Archives.” Dance Research Journal42, no. 1 (2010): 83–88. https://doi.org/10.1017/S0149767700000875.

Anderson, Jack. Art without Boundaries: The World of Modern Dance. University of Iowa Press, 1997.

Angert, Erica. “The State of Dance Research in Cuba.” Dance Research Journal33, no. 1 (2001): 82–87. https://doi.org/10.2307/1478858.

Anglo, Sydney. “The Barriers: From Combat to Dance (Almost).” Dance Research25, no. 2 (2007): 91–106.

Anttila, Eeva. “Searching for Dialogue in Dance Education: A Teacher’s Story.” Dance Research Journal39, no. 2 (2007): 43–57. https://doi.org/10.1017/S0149767700000218.

Arbeau, Thoinot. Orchesography. Courier Corporation, 1967.

Arcangeli, A. “Dance and Health: Dance as a Means of Cure.” J Society Dance Res18 (2000): 23–24.

Arcangeli, Alessandro. “Dance and Health: The Renaissance Physicians’ View.” Dance Research18, no. 1 (2000): 3–30.

Arcangeli, Alessandro. “The Moral Discourse.” In Recreation in the Renaissance, 46–72. Springer, 2003.

Arcangeli, Alessandro. Dance and Law. Institute for Historical Dance Practice, 2000.

Arcangeli, Alessandro. “Carnival in Medieval Sermons.” European Medieval Drama1 (1997): 109–17.

Arcangeli, Alessandro. “Dance and Punishment.” Dance Research10, no. 2 (1992): 30–42.

Arcangeli, Alessandro. “Dancing Savages: Stereotypes and Cultural Encounters across the Atlantic in the Age of European Expansion.” Exploring Cultural History: Essays in Honour of Peter Burke, 2010, 289–308.

Arcangeli, Alessandro. “Moral Views on Dance.” Dance, Spectacle, and the Body Politick 1250–1750, 2008, 282–94.

Arcangeli, Alessandro. “Dance under Trial: The Moral Debate 1200-1600.” Dance Research12, no. 2 (1994): 127–55.

Archer, Kenneth. “Nicholas Roerich and His Theatrical Designs: A Research Survey.” Dance Research Journal18, no. 2 (1987): 3–6. https://doi.org/10.2307/1478046.

Arena, Antonius, John Guthrie, and Marino Zorzi. “Rules of Dancing.” Dance Research4, no. 2 (1986): 3–53.

Arjo, Irawati Durban. “Women’s Dance among the Sundanese of West Java, Indonesia.” Asian Theatre Journal6, no. 2 (1989): 168–78.

Arkin, Lisa C. “Bronislava Nijinska and the Polish Ballet, 1937-1938: Missing Chapter of the Legacy.” Dance Research Journal24, no. 2 (1992): 1–16. https://doi.org/10.2307/1478521.

Aschenbrenner, Joyce. “Katherine Dunham: Anthropologist, Artist, Humanist.” African-American Pioneers in Anthropology, 1999, 137–53.

Aschenbrenner, Joyce. Katherine Dunham: Dancing a Life. University of Illinois Press, 2002.

Aschengreen, Erik. “Bournonville Style and Tradition.” Dance Research4, no. 1 (1986): 45–62.

Astier, Régine. “Franqois Marcel and the Art of Teaching Dance in the Eighteenth Century.” Dance Research2, no. 2 (1984): 11–23.

Astier, Régine. “Chacone Pour Une Femme: Chaconne De Phaeton: A Performance Study.” Dance Research15, no. 2 (1997): 150–69.

Athreya, Preethi. “Total Masala Slammer/Heartbreak No. 5: A Case of Mistaken Identity for the Indian Classical Dancer?” Dance Research Journal36, no. 2 (2004): 139–43. https://doi.org/10.2307/20444598.

Au, Susan. “The Bandit Ballerina: Some Sources of Jules Perrot’s Catarina.” Dance Research Journal10, no. 2 (1978): 2–5. https://doi.org/10.2307/1477997.

Au, Susan, and Selma Jeanne Cohen. Ballet and Modern Dance. Thames and Hudson London, 1988.

Axtmann, Ann. “Performative Power in Native America: Powwow Dancing.” Dance Research Journal33, no. 1 (2001): 7–22. https://doi.org/10.2307/1478853.

Baird, Bruce, and Rosemary Candelario. The Routledge Companion to Butoh Performance. London ; New York, NY: Routledge, 2019.

Banasiak, Krista. “Dancing the East in the West: Orientalism, Feminism, and Belly Dance.” Critical Race & Whiteness Studies10, no. 1 (2014).

Banes, Sally. Dancing Women: Female Bodies Onstage. Routledge, 2013.

Banes, Sally. “Grand Union: The Presentation of Everyday Life as Dance.” Dance Research Journal10, no. 2 (1978): 43–49. https://doi.org/10.2307/1478002.

Banes, Sally, and André Lepecki. The Senses in Performance. Routledge, 2012.

Bannerman, Henrietta. “A Dance of Transition: Martha Graham’s Herodiade (1944).” Dance Research24, no. 1 (2006): 1–20.

Bannerman, Henrietta. “Martha Graham’s House of the Pelvic Truth: The Figuration of Sexual Identities and Female Empowerment.” Dance Research Journal42, no. 1 (2010): 30–45.

Bannerman, Henrietta. “John Cranko’s Antigone (1959): A Ballet Lost and Found.” Dance Research33, no. 1 (2015): 1–15.

Bannerman, Henrietta. “An Overview Of The Development Of Martha Graham’s Movement System (1926–1991).” Dance Research17, no. 2 (1999): 9–46.

Bannerman, Henrietta. “Is Dance a Language? Movement, Meaning and Communication.” Dance Research32, no. 1 (2014): 65–80.

Bannon, Fiona, and Patricia Sanderson. “Experience Every Moment: Aesthetically Significant Dance Education.” Research in Dance Education1, no. 1 (2000): 9–26.

Barba, Fabian. “Research into Corporeality.” Dance Research Journal43, no. 1 (2011): 83–89. https://doi.org/10.5406/danceresearchj.43.1.0083.

Barber, Tiffany E. “Ghostcatching and After Ghostcatching, Dances in the Dark.” Dance Research Journal47, no. 1 (2015): 45–67. https://doi.org/10.1017/S0149767715000030.

Barbour, Rosaline. Introducing Qualitative Research: A Student’s Guide. Sage, 2013.

Barker, Kathleen M D. “Dance and the Emerging Music Hall in the Provinces.” Dance Research5, no. 2 (1987): 33–42.

Barlow, Jeremy, and Moira Goff. “Dancing in Early Productions of The Beggar’s Opera.” Dance Research33, no. 2 (2015): 143–58.

Barrand, Anthony G, Roy Leonard Dommett, and Ivor Allsop. “Comments on John Forrest’s ‘Here We Come A-Fossiling.’” Dance Research Journal17, no. 1 (1985): 34–42. https://doi.org/10.2307/1478220.

Bartenieff, Irmgard, Peggy Hackney, Betty True Jones, Judy Van Zile, and Carl Wolz. “The Potential of Movement Analysis as a Research Tool: A Preliminary Analysis.” Dance Research Journal16, no. 1 (1984): 3–26.

Bassett, Peter. “Archives of the Dance (15): The Library of the Laban Centre for Movement and Dance.” Dance Research12, no. 1 (1994): 48–59.

Bayle, Christine. “The Meanderings of Interpretation.” Dance Research15, no. 2 (1997): 170–99.

Beaman, Patricia. “Looking Back: An Interview with May O’Donnell.” Dance Research Journal34, no. 1 (2002): 90–97. https://doi.org/10.2307/1478138.

Beardsley, Monroe C. “What Is Going On in a Dance?” Dance Research Journal15, no. 1 (1982): 31–36. https://doi.org/10.2307/1477692.

Beatty, John. “Systemic Aesthetics: Kiowa-Apache Ritual.” Dance Research Journal11, no. 1–2 (1978): 31–34. https://doi.org/10.2307/1477844.

Bebelle, Carol. “Swimming Upstream: A Rain Dance.” TDR/The Drama Review57, no. 1 (2013): 26–33.

Bélec, Danielle Marilyn. “Robert Ellis Dunn: Personal Stories In Motion.” Dance Research Journal30, no. 2 (1998): 18–38. https://doi.org/10.2307/1478836.

Bench, Harmony, and Kate Elswit. “Mapping Movement on the Move: Dance Touring and Digital Methods.” Theatre Journal68, no. 4 (2016): 575–96.

Benjamin, Adam. “Cabbages and Kings: Disability, Dance and Some Timely Considerations.” In The Routledge Dance Studies Reader, 129–39. Routledge, 2010.

Bennett, Jane, Pheng Cheah, Melissa A Orlie, and Elizabeth Grosz. New Materialisms: Ontology, Agency, and Politics. Duke University Press, 2010.

Bennett, Toby, and Giannandrea Poesio. “Mime in the Cecchetti ‘Method.’” Dance Research18, no. 1 (2000): 31–43.

Berg, Shelley. “Lesley Main, Directing the Dance Legacy of Doris Humphrey: The Creative Impulse of Reconstruction.” Edinburgh University Press The Tun-Holyrood Road, 12 (2f) Jackson’s Entry …, 2017.

Berg, Shelley C. “Limón’s La Malinche: Negotiating the In-Between.” Dance Research Journal37, no. 1 (2005): 75–93. https://doi.org/10.1017/S0149767700008366.

Berg, Shelley C. “Saving a Legacy: Agnes de Mille’s Gold Rush.” Dance Research19, no. 1 (2001): 60–90.

Berghaus, Günter. “Neoplatonic and Pythagorean Notions of World Harmony and Unity and Their Influence on Renaissance Dance Theory.” Dance Research10, no. 2 (1992): 43–70.

Berghaus, Günter. “Dance and the Futurist Woman: The Work of Valentine de Saint-Point (1875–1953).” Dance Research11, no. 2 (1993): 27–42.

Berkman, Jonathan. “A Warm-Up.” Dance Research Journal31, no. 1 (1999): 57–85. https://doi.org/10.2307/1478310.

Best, David. “The Aesthetics Of Dance.” Dance Research Journal7, no. 2 (1975): 12–15. https://doi.org/10.2307/1477820.

Bial, Henry. The Performance Studies Reader. Psychology Press, 2004.

Biehl-Missal, Brigitte, and Claus Springborg. “Dance, Organization, and Leadership.” Organizational Aesthetics5, no. 1 (2015): 1–10.

Bing-Heidecker, Liora. “Unearthing the Spirit: The Archaeological Metaphor and the Uncanny Pathology of Romantic Ballet.” Dance Research35, no. 2 (2017): 165–86.

Bing-Heidecker, Liora. “How to Dance After Auschwitz? Ethics and Aesthetics of Representation in John Cranko’s Song of My People—Forest People—Sea.” Dance Research Journal47, no. 3 (2015): 5–26. https://doi.org/10.1017/S0149767715000339.

Birringer, Johannes. “Pina Bausch: Dancing across Borders.” The Drama Review: TDR30, no. 2 (1986): 85–97.

Birringer, Johannes. “Dance and Interactivity.” Dance Research Journal36, no. 1 (2004): 88–111. https://doi.org/10.1017/S0149767700007580.

Bishop, Claire. “Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention.” TDR/The Drama Review62, no. 2 (2018): 22–42.

Bishop, Claire. “The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney.” Dance Research Journal46, no. 3 (2014): 63–76. https://doi.org/10.1017/S0149767714000497.

Bizot, Richard. “Lester Horton’s Salome, 1934–1953 and After.” Dance Research Journal16, no. 1 (1984): 35–40. https://doi.org/10.2307/1478256.

Blacking, John. “Movement and Meaning: Dance in Social Anthropological Perspective.” Dance Research1, no. 1 (1983): 89–99.

Blazekovic, Zdravko. “Salonsko Kolo: Dance of Nineteenth-Century Croatian Ballrooms.” Dance Research12, no. 2 (1994): 114–26.

Bleeker, Maaike A. “(Un)Covering Artistic Thought Unfolding.” Dance Research Journal44, no. 2 (2012): 13–25. https://doi.org/10.1017/S0149767712000083.

Blum, Odette. “The Green Table Project.” Dance Research Journal21, no. 1 (1989): 38–46. https://doi.org/10.1017/S0149767700002473.

Bolden, Tony. “Groove Theory: A Vamp on the Epistemology of Funk.” American Studies52, no. 4 (2013): 9–34.

Bonbright, Jane M. “The Nutritional Status of Female Ballet Dancers 15-18 Years of Age.” Dance Research Journal21, no. 2 (1989): 9–14. https://doi.org/10.2307/1478626.

Bond, Karen. “Personal Style as a Mediator of Engagement in Dance: Watching Terpsichore Rise.” Dance Research Journal26, no. 1 (1994): 15–26. https://doi.org/10.2307/1477708.

Bond, Karen E, and Susan W Stinson. “‘I Feel Like I’m Going to Take Off!’: Young People’s Experiences of the Superordinary in Dance.” Dance Research Journal32, no. 2 (2000): 52–87. https://doi.org/10.2307/1477981.

Borelli, Melissa Blanco. The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, 2014.

Borelli, Melissa Blanco. She Is Cuba: A Genealogy of the Mulata Body. New York: Oxford University Press, 2016.

Borni, Karima. “Searching for the Soul: A Training Program for Moroccan Contemporary Dancers.” Dance Research Journal49, no. 3 (2017): 53–69. https://doi.org/10.1017/S0149767717000353.

Bosse, Joanna. “Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context.” Dance Research Journal40, no. 1 (2008): 45–64. https://doi.org/10.1017/S0149767700001364.

Bouffard, Mickaël, Jérôme de La Gorce, and Margaret M McGowan. “The Convergence of Dancing and Drawing Practices in the Reign of Louis XIV: Costume Designs from the Edmond de Rothschild Collection in the Louvre.” Dance Research34, no. 1 (2016): 1–29.

Bouquet-Boyer, Marie-Thérèse, and Margaret Mcgowan. “Musical Enigmas in Ballet at the Court of Savoy.” Dance Research4, no. 1 (1986): 29–44.

Bourguignon, Erika. “Ritual and Myth in Haitian Vodoun.” In African Religions Groups and Beliefs, 300. Archana publishers Meerut, India, 1982.

Boyce, Johanna, Ann Daly, Bill T Jones, and Carol Martin. “Movement and Gender: A Roundtable Discussion.” TDR (1988-)32, no. 4 (1988): 82–101.

Brandstetter, Gabriele. “Dancing the Animal to Open the Human: For a New Poetics of Locomotion.” Dance Research Journal42, no. 1 (2010): 3–11. https://doi.org/10.1017/S0149767700000796.

Brandstetter, Gabriele, Gerko Egert, and Holger Hartung. Movements of Interweaving: Dance and Corporeality in Times of Travel and Migration. Abingdon, Oxon ; New York, NY: Routledge, 2018.

Brannigan, Erin. “Dance and the Gallery: Curation as Revision.” Dance Research Journal47, no. 1 (2015): 5–25. https://doi.org/10.1017/S0149767715000054.

Bresnahan, Aili. “Improvisational Artistry in Live Dance Performance as Embodied and Extended Agency.” Dance Research Journal46, no. 1 (2014): 85–94. https://doi.org/10.1017/S0149767714000035.

Brick, Timothy R, and Steven M Boker. “Correlational Methods for Analysis of Dance Movements.” Dance Research29, no. supplement (2011): 283–304.

Briginshaw, Valerie. Dance, Space and Subjectivity. Springer, 2016.

Briginshaw, Valerie A. “I. The Open Mesh of Possibilities.” Dance Research Journal34, no. 2 (2002): 96–97. https://doi.org/10.2307/1478462.

Brinson, Peter. “Scholastic Tasks of a Sociology of Dance (Part 1).” Dance Research1, no. 1 (1983): 100–107.

Brinson, Peter, and Richard Ralph. “Dance Memoirs.” Dance Research15, no. 1 (1997): 13–30.

Broadhurst, Susan, and Josephine Machon. Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Macmillan, 2012.

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